What a world we live in, right? You can get anything you want, anytime, anyplace, any app, any price. Isn’t that just great? To answer this question, I’d say a resounding NO.
When did it become bad –nay, unforgivable– to actually wait for something? Do we really need everything right now? What’s the rush? I, for one, enjoy waiting for something. If it’s too instant, I question its quality. Example: Would you rather have a lovely meal, slow-cooked just for you, presented just to you in a very personal manner? Or, open a can of, say, soup, chuck it in the microwave, and have a random thing (that, let’s face it, tastes like nothing specific) that’s just mediocre? This is how I feel about the art world these days. Everyone is choosing a quick, easy canned option rather than waiting for something special.
I won’t be a complete snob and say that I don’t use the occasional app to try something different. I tried Instagram, VintageCam, and 8mm with decent results. But, I also felt like they take all of the fun part out of the invention of a personal image. I know not everyone is a great photographer, but these applications (did you know that’s what app stands for?) give people a weird sense that because they use these apps, that they can be an artist. I know this must sound so snobbish, holier-than-thou, and many other unflattering words, but I’m just fed up with this “instant gratification” phase that we’ve been in for far too long now. Plus, no disrespect to the dead, Steve, but since the iPhone and all its apps, people are less and less connected in personal ways. No one gets the exercise they need, everyone is too busy to actually go sit and visit with someone who needs physical connection and love, and we’re all in a rush to go…where? I think everyone is busy going nowhere, on a very fast connection!
In my years of photography, I’ve learned one thing: There is no one right way to take/develop/edit a photograph. However, I find that when I take the time, dedicate myself to one project at a time, and really look for what I want to capture, my photography gets better and better. My equation seems to be: eye + heart + format = something special. Obviously, the eye is literal. Heart is what pulls me to shoot the subject. Format is the element that can take the photograph to a multitude of directions.
Say I’m shooting 35mm, wide-angle (10-24mm), my subject would need to be interesting enough to grab the viewer’s attention in a wide aspect shot. With wide-angle, you really have to get the balance right. Things get lost easily, and people distort just as easily, too.

This shot was from about two feet away from the subject’s foot. I didn’t put him directly on the side, as he would have distorted.

Ok, let’s stay with 35mm, but use a prime lens of 60mm. You can get really intimate with your subject and potentially bring out something highly personal. Distance plays an extremely important role in any format, but with my 60mm, I’ve gotten some really exquisite images with high emotional impact. This was at the Hamilton Ice Fest in 2011. I didn’t even edit this one, I liked it “as-is” with its mood and religious tones.
Now, let’s move on to squares. While you can crop any image to a square, I’ve found that shooting a square from the start makes composition go in totally different directions. Using my medium-format TLR (twin-lens-reflex) Yashica Mat-124G, I use the waist finder, looking down, and backwards, to compose my shot. Going low with this camera makes for some interesting viewpoints. Squares make me stop, think, and really work hard to capture something special. It’s my most challenging camera, and also my favorite. This was another Hamilton shot using Lomography’s Red Scale film. I shot between 200-400 ISO so the red would be the prominent color.It’s a very interesting color film, and customizable to the look you want. This is with only a few clean-up edits. Pretty much what the film looks like as a straight scan.
After I’ve gotten my shots (be it digital or film) I process/import and then begin the process of developing/editing. I can tell immediately what shots are good, and which ones are not. The good ones never need much editing. I don’t like seeing a “photo” that’s all filter, and no story. On the opposite end, I don’t like an image that’s so sterile and “perfect” that it could be anyone/thing with all the personality stripped from the photo, along with all the blemishes. It’s these blemishes that make us one-of-a-kind. It’s these blemishes that make us beautiful.
If you want my advice on how to take better pictures, all I can say is: Slow down. It might be just what you need to get the shot of a lifetime. Don’t be in such a rush. Instant gratification usually leads to needing more of the same. It’s not fulfilling. It’s merely a sugar high.
In closing, I invite you to join me, and many others, on the return to film (or even an actual camera) photography. Work hard for something. Sweat for a good reason (not just because you got up to get a snack). Go outside and see the real world. You might just enjoy it!
I say these things with concern and love. Dont miss out on your life by staying inside all the time. Go harvest a mass of hearty images. Make yourself a photo stew once in a while…not just canned pixel soup!
Always developing,
Christa Belle





















